By Mike Gange
I’ve had to do some long road trips over the past year. Ten hours in the car in one direction on a Thursday, and ten hours back again on a Sunday. My friend Phil joked that I drove for 24-hours to see a four hour football game. I said it wasn’t true, but of course it was; I just couldn’t let Phil know he was right, or how silly it sounded when he said it that way.
But those trips were worthwhile, because thanks to Sirius Satellite radio, I’ve gotten to listen to some long forgotten rock‘n’roll classics. Now I will grant you there are some channels on the satellite radio I will not listen to. The Martha Stewart channel would be one. There are only so many ways you can paint a room, make new muffin designs, or display your drapes. I figured I knew all I needed to know in that department.
The Nascar Sports Channel would be another. Why is it exciting for the fans to watch somebody else drive 500 times around an oval at a speed that is nearly three times the legal limit, only to edge out your competition by two car lengths? Why isn’t say, 200 laps good enough? Or say, ten laps. I figure if you can beat somebody in ten laps, you can call yourself a winner. With the money you would save on gas, you could take the whole pit crew out to lunch.
Anyway, I’ve listened to The Vault quite a bit. Or Classic Re-wind. And the things I had forgotten! Those long tunes, those great guitar solos, those driving beats. I like the fact that the songs are long, sometimes seven minutes or more. This isn’t where you are going to hear those three-minute radio edits. Nor is this where you are going to hear the playlist repeated every top of the hour, bottom of the hour and quarter hour. It’s a chance to re-discover some old favourites. Remember The Who? I mean before their music was commercialized and edited for the latest version of CSI: From Your Town. Baba O’reilly is worth an extended listen. So is Manfred Mann. And no, I don’t mean “Do-Wah-Diddie.” I mean “Blinded by the Light,” the old song by Springsteen, that seems to be almost tailor-made for the call and response lyrics of the Manfred Mann band. Or Golden Earring’s “Twilight Zone” which is subtitled “Where the bullet hits the bone.” Have you recently heard Peter Schilling’s answer to David Bowie’s “Ground control to Major Tom” which is called “Major Tom (Coming Home). Or Pablo Cruise?

Pablo Cruise (circa 1977)
Pablo Cruise, for heaven’s sake. Now, that’s a band I had long forgotten. “Love will find a way.” “How long has this been goin’ on?” “Sailing to paradise.” “A place in the sun.” ”Cool Love.” I took the time to look them up on YouTube, and was shocked at how dated the band looked. They had the late-70’s long hair, moustaches, and the post-hippie fashions of painted on jeans, super-skinny baseball-style undershirts: the kind of outdated look that nearly put me off their music – but that music: searing guitar solos, drumming that never misses a beat, and the kind of harmonies usually reserved for church choirs.
And of course I was blown away by Steely Dan. They had a few radio-shortened tunes, so it was easy to overlook “Aja” or “Deacon Blues.”
These are the kinds of songs that have stuck in my head, long after the ten hour drive has been completed. I’ve enjoyed them so much that I have taken to carrying a notepad in my car consol, so I can write a note to remind myself that I need to refresh my memory of some of these old beauties.
And, yes, I am Sirius about Pablo Cruise.